JUAN DOWNEY:
THE INVISIBLE ARCHITECT
February 12 2012 through May 20 2012
The Bronx Museum of the Arts, in collaboration with MIT List Visual Arts Center, presents the first United States museum survey of the work of Chilean-born video artist Juan Downey (1940–1993). Juan Downey: The Invisible Architect features a selection of key works by this under-recognized pioneer of video art. A fellow at MIT's Center for Advanced Visual studies in 1973 and 1975, Downey played a significant role in the New York art scene of the 1970s and 1980s.
Ranging thematically over several decades of the artist's work, the exhibition includes early experiments with art and technology that mark a shift from object-based artistic practice to an experiential approach seeking to combine interactive performance with sculpture and video. Along with this foundational early work, the exhibition also features Downey's video installations of the 1970s and 1980s. These combine an autobiographical approach with the style of anthropological documentary—one of his most important contributions to the medium. In Downey's later work, the intellectual and historical myths of European culture, as well as the roots of Latin American identity, are explored in complex video work that utilizes associative visual metaphors, collage-like techniques, and non-linear narrative.
Presented in collaboration with MIT List Visual Arts Center, Juan Downey: The Invisible Architect is organized by Valerie Smith, Curator at the Haus der Kulturen der Welt in Berlin. The exhibition will travel to the Arizona State University Art Museum, Tempe, AZ (September 24—December 31, 2011) and the Bronx Museum of the Arts in New York (February 12—May 20, 2012).
Juan Downey: The Invisible Architect has been generously supported by The Andy Warhol Foundation for the Visual Arts; the National Endowment for the Arts, a Federal Agency; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundación Cisneros/Colección Patricia Phelps de Cisneros. Additional support has been provided for the Cambridge presentation by the Council for the Arts at MIT and the Massachusetts Cultural Council. Media Sponsor: Phoenix Media Communications Group.
THE INVISIBLE ARCHITECT
February 12 2012 through May 20 2012
The Bronx Museum of the Arts, in collaboration with MIT List Visual Arts Center, presents the first United States museum survey of the work of Chilean-born video artist Juan Downey (1940–1993). Juan Downey: The Invisible Architect features a selection of key works by this under-recognized pioneer of video art. A fellow at MIT's Center for Advanced Visual studies in 1973 and 1975, Downey played a significant role in the New York art scene of the 1970s and 1980s.
Ranging thematically over several decades of the artist's work, the exhibition includes early experiments with art and technology that mark a shift from object-based artistic practice to an experiential approach seeking to combine interactive performance with sculpture and video. Along with this foundational early work, the exhibition also features Downey's video installations of the 1970s and 1980s. These combine an autobiographical approach with the style of anthropological documentary—one of his most important contributions to the medium. In Downey's later work, the intellectual and historical myths of European culture, as well as the roots of Latin American identity, are explored in complex video work that utilizes associative visual metaphors, collage-like techniques, and non-linear narrative.
Presented in collaboration with MIT List Visual Arts Center, Juan Downey: The Invisible Architect is organized by Valerie Smith, Curator at the Haus der Kulturen der Welt in Berlin. The exhibition will travel to the Arizona State University Art Museum, Tempe, AZ (September 24—December 31, 2011) and the Bronx Museum of the Arts in New York (February 12—May 20, 2012).
Juan Downey: The Invisible Architect has been generously supported by The Andy Warhol Foundation for the Visual Arts; the National Endowment for the Arts, a Federal Agency; Martin E. Zimmerman; the Dedalus Foundation; the Milton & Sally Avery Arts Foundation; and Fundación Cisneros/Colección Patricia Phelps de Cisneros. Additional support has been provided for the Cambridge presentation by the Council for the Arts at MIT and the Massachusetts Cultural Council. Media Sponsor: Phoenix Media Communications Group.