image

SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.

Location: Andrew Freedman Home Garden, 1125 Grand Concourse between 166th and McClellan Streets, Bronx

image
Triple Point (Planetarium)

Sarah Sze’s Triple Point (Planetarium), one of the works created for the U.S. Pavilion at the 2013 Venice Biennale, will be on view at The Bronx Museum of the Arts from July 3 to August 24, 2014.

 

Sze’s work attempts to navigate and model the ceaseless proliferation of information and objects in contemporary life. Incorporating elements of painting, architecture, and installation within her sculpture, Sze investigates the value we place on objects and explores how objects ascribe meaning to the places and times we inhabit. Sze’s U.S. Pavilion was consistently cited as one of the standout national pavilions at the 55th Venice Biennale.

image

Beyond the Supersquare explores the indelible influence of Latin American and Caribbean modernist architecture on contemporary art. The exhibition features over 30 artists and more than 60 artworks, including photography, video, sculpture, installation, and drawing, that respond to major Modernist architectural projects constructed in Latin America and the Caribbean from the 1920s through the 1960s. Beyond the Supersquare examines the complicated legacies of modernism through architecture and thought—as embodied by the political, economic, environmental, and social challenges faced by countries throughout Latin America—through the unique perspective of artists working today.

image

Shyu Ruey-Shiann works with different materials and media to explore themes related to our environment. The installation One Kind of Behavior is inspired by the quasi-mechanical movements of creatures such as the hermit crabs. The artist sees in the random opening and closing of their shells on the beach, a stark contrast with contemporary society where things move at high speed. Additionally, the fact that hermit crabs occupy shells discarded by other species becomes another source of interest to the artist, who sees in this special relationship a metaphor for our human condition. Contrasting man and animal behavior, One Kind of Behavior asks us to consider the environmental consequences of our mechanical impulses on nature. 

image

From Puerto Rico to the South Bronx, the casita, or “little house” in Spanish, is the social centerpiece and focal point of many community gardens. New York Restoration Project (NYRP), in partnership with the Urban Air Foundation, enlisted TEN Arquitectos and engineers at Buro Happold to rethink the traditional casita as a modular kit of parts. NYRP staff will work with members of the Willis Avenue Community Garden in Mott Haven, Bronx, to assemble the pilot structure in their garden in Spring 2014.

image
Art and Music at Randall's Island

The Randall’s Island Park Alliance, the Bronx Museum of the Arts and Made Event are pleased to present FLOW annual summer art exhibitions along the shoreline at Randall’s Island Park in New York City. FLOW is aimed at fostering appreciation of the shoreline through artistic expression, while calling visitors to interact with and care for the Park’s island environment. Each year, FLOW features site specific projects by participants in the Bronx Museum’s Artists in the Marketplace (AIM) program for emerging artists.

image

The series of paintings Veterans conveys rarely told personal stories of American men and women from the U.S. Military. The paintings, interviews conducted by the artist, and the accompanying stories by Sophie Rand convey the pressing need for a civilian awareness of the realities and experiences of veterans from current and past generations. The ten paintings selected for this exhibition focus primarily on Bronx residents, including portraits of Leroy Archible and Carmen Rodriguez, who were instrumental in introducing Talbot to veterans in the Bronx.