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The selection of works presented in Jaime Davidovich: Adventures of the Avant-Garde charts the artist’s transit through different iterations of the avant-garde; from an early exploration in the monochrome’s possibilities and spatial concerns that would also later inform his site-specific works of the late sixties and early seventies, to the video works of the of the same period up until the 1990s, which not only pioneered the use of television as a medium but also addressed themes such as identity, diaspora and globalization.

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Featuring three new works, the terrace installation Please Touch conveys artist Raul Mourão's awareness of the city, with its characters, architecture, objects and accidents. Displaced from their original sites and stripped of any function, mundane street elements are further altered in shape and scale by the artist. With its humorous nods to constructive and conceptual art, Please Touch entails active contemplation from the spectator, in that it extends familiar objects into the arena of the nonsensical.
 

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Works from the Shelley and Donald Rubin Private Collection

The recent announcement of a new re-engagement policy between the United States and Cuba has increased the level of expectation as to what the future of the island will be. While this new political openness will undoubtedly attract new markets and an influx of foreign investment, truly creative solutions for the local communities and their diverse culture will have to come from within.  By featuring a selection of works from the Shelley and Donald Rubin Private Collection, the exhibition Cuba Libre! suggests that contemporary Cuban artists have already been engaged in this discussion, providing thoughtful materials for their audiences to ponder on their diversity and rich historical legacy.

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Jules Aarons, Morton Broffman, and Joe Conzo

Three Photographers from the Bronx showcases work by three Bronx-born photographers who captured significant moments of societal and urban change in the borough and across the country during a period marked by important social, cultural and political transformations. The exhibition features over 80 works, from depictions of daily life in the Bronx and Far Rockaways in the early 1950s, to images of the Civil Rights Movement of the 1960s, to a searing look at Bronx community protests in the early 1980s. Together these works create an exchange across three distinct and intertwined moments, exploring the legacy of community activism and urban change and launching a dialogue surrounding the challenges the Bronx and similar communities continue to face today.

 

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Escape Route: Paintings and Drawings by Jeffrey Spencer Hargrave will present a selection of works by the New York based artist created from 2011 to 2014 that deal with issues related to race, religion and sexuality. Since 1998 Hargrave has produced a compelling, deeply personal body of work incorporating painting, drawing, sculpture and video that explore the dynamics between race, sexuality and religion in relation to his upbringing in the south and early adulthood as an African American gay male coming to terms with racial and sexual identity.
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